Radio Nemiers: live radio fra Riga

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Radio Nemiers

Fresh or gone, no third option.

Screamo, thrash and deathcore, none of it classic.

Aigars Sukurs, who DJs as 130db, has built four radio stations, and this is the fourth. In 2018 a Riga bar called Nemiers asked him for one so its bartenders would stop digging through personal playlists, and he could not say no. The bar has since closed and the station kept the name, which he calls a small flame keeping its spirit alive. The model was Radio Wazee, the American alternative station he listened to at night while learning the technical side, and whose principle he took wholesale: genres are tools, not walls.

Nothing here is a safe bet. Thousands of tracks stay in rotation from more than fifty countries, hundreds more arrive every year, and anything that falls outside a floating twenty-five-year window is retired, the heavyweights of the nineties included, by his own admission. What that leaves on air is metalcore, post-hardcore, pop-punk and modern alternative rock, with lighter sister channels running beside it.

afRadio Nemiers

Mere som denne

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Fifteen years of refusing to soften.

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DIY or die, still not dead.

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Subtlety was never invited.

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The charts left in 1990.

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Thirty years of loud, shuffled.

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Seniority, then total freedom.

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Village address, global boot party.

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Still nobody's getting paid.

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Athens, still shouting.

SpainBarcelona

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No ads, no grants, no bosses.

TurkeyIstanbul

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Amateur in the best sense.

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Sixty years, zero format.

Bosnia and HerzegovinaBanja Luka

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Not one word between songs.

United KingdomLeeds

Leeds Student Radio

Best in the country, twice.

SpainVitoria-Gasteiz

Hala Bedi Irratia

Gasteiz talking back, in euskara.

SwitzerlandGeneva

La VostokE

Equal airtime, by decree.

Riga, Latvia

Radio Nemiers

Fresh or gone, no third option.

Screamo, thrash and deathcore, none of it classic.

Aigars Sukurs, who DJs as 130db, has built four radio stations, and this is the fourth. In 2018 a Riga bar called Nemiers asked him for one so its bartenders would stop digging through personal playlists, and he could not say no. The bar has since closed and the station kept the name, which he calls a small flame keeping its spirit alive. The model was Radio Wazee, the American alternative station he listened to at night while learning the technical side, and whose principle he took wholesale: genres are tools, not walls.

Nothing here is a safe bet. Thousands of tracks stay in rotation from more than fifty countries, hundreds more arrive every year, and anything that falls outside a floating twenty-five-year window is retired, the heavyweights of the nineties included, by his own admission. What that leaves on air is metalcore, post-hardcore, pop-punk and modern alternative rock, with lighter sister channels running beside it.